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Medieval 2 Total War free. Dead bodies now stack up in horrific mounds - rather than the flat 2D corpses of Rome - while the battle physics have clearly enjoyed a makeover, with clashes looking more brutal and jarring than ever before. Individual blades of grass sway in the breeze, shrubs look prunable, weather changes dynamically and night-time battles are looking more visually impressive than ever, while every armour and weapon upgrade you make in the strategic map is now visually represented on the real-time battlefield.
Battle number two is a desert skirmish. English crusaders battle the Egyptians, pounding the massed enemy ranks with mighty cannons. Finally, Roxburgh takes on an Aztec tribe. After obliterating their city walls with siege weapons walls now crumble brick by brick, rather than in massive sections , the Iiainted South Americans spill out of the gates in their thousands, only to be to slaughtered by superior tactics and swords that aren't made from wood.
There'll be loads of new features in these battles that you'll have to take into account, like impassable terrain. The Al will look at that and think of how it can use it to its advantage," bellows Sutherns. As Sutherns and Roxburgh bid me a hoarse farewell, I leave their booth energised, ears ringing and bloodied, and ready to kill myself some drummer boys. The pope and the crusades will play a far more prominent role than they did in the original Medieval.
For starters, you'll have to manage your relationship with the pope much more carefully, ensuring you build plenty of churches and cathedrals, while making sure you stamp out any heretics or witches before they have a chance to infect your populace with their heathen views. However, if you fancy installing one of your own priests into the Vatican, you'll first need to get them elected to the College of Cardinals, then either win votes through virtuous deeds or by bribing other nations with fat wads of non-sequential bills stuffed into brown envelopes.
Once you build up enough influence with the pope, you'll then be able to persuade him to call crusades that are beneficial to your nation, at which point a bunch of inbred rich boys will march to their deaths to extend your holdings under the pretence of religious duty.
To help speed them to their graves will be a double movement bonus as well as a battlefield cross that acts as a morale-boosting emblem. For the king, for god, for increased economical stability To war! Towards the latter stages of the game, an historical event will insinuate that there could be land across the sea.
That place is, of course, the Americas. Teeming with resources, you and every other nation will suddenly become locked in a race to get over there, cleanse the lands of any indigenous people aka The Aztecs and liberate all of the natural resources from these brutal, heathen, heretical barbarians who dare inhabit an area of such economic wealth.
But bolstering your coffers with the blood of innocent American tribes won't be easy. While their technology and weapons may be primitive seems the nearest these boys ever came to armour was body paint , you'll soon discover that not only are they incredibly brave warriors, but that there's "fahsands of 'em", too.
However, if you manage to pull it off and conquer the lands for yourself, you'll find yourself top of the Medieval Rich List in no time. You May remember me from such reviews as Shogun: Total War and Medieval - the multiplayer experience. Both great games, reviewed with typical subjective fervour. The Creative Assembly know the score. They've had it up to here with him too.
So I'm here instead, playing through the early stages of a campaign game and eager to reclaim the throne, as it were, while Korda sits at home playing indie garbage. Sitting down to play Medieval II, even in the sterility of CA's meeting room, is like falling into your bed, only with fresh sheets and a bigger, softer, fluffier duvet - with knights on the cover, obviously.
It just feels comfortably right. The first Medieval may seem like a game from the Dark Ages in comparison, but it had authenticity pouring of its ears and over its gorget neck armour, duh. That authenticity has been carried over - indeed it's been built up further -with the variety in terms of units, their fluttering banners and new map furniture making the series come alive like never before.
You can see that perfectly well yourself though, thanks to the accompanying marketing-approved images. And yes, it really looks that good.
CA can be proud at what they have achieved in terms of the graphical finery on show, but such beauty can only impress for so long because you're not going to conquer much if you spend the battles watching your knights doing fancy Soul Calibur moves. While Medieval II will rock your world because it looks bonza it was largely made at CA's outback studio , what will really make fans announce in the pub that 'actually, this is the best yet by heaps' is down to a couple of what may seem like minor features.
One is the massive influence that your piety will have on your relations with neighbours, more so than in the previous game, with favoured cardinals able to affect papal policy to a certain extent. In order to get into his good books, however, you have to accomplish missions for His Holiness. Missions will even come from traders, spies and other guildhall leaders too.
Impress your local chapter of assassins, and they may be tempted into relocating their European HQ to your capital, thereby allowing you to train the iiberest killers in Christendom. There's certainly more to do this time around than simply shuffle army counters around the place.
My favourite feature, and one I didn't have time to explore fully, was one that should address a problem that has been inherent in all the Total War games. Veterans know the one, where you're two-thirds of the way across the map, your enemies are scattered and really you're just sweeping a broom around.
Games rarely ended in thrilling climaxes unless you were on the losing side. Now, with the Americas opening. In short, Medieval II will be a game worth wanting to complete. To end with the traditional bluster, Medieval 2 looks good, nay it looks oorsomel It's probably the best Total War ever made, ever. Hollow words? Of course they are. After all, we've still to play a siege battle, a feature CA have yet to get spot-on.
And being a pansy, I played in easy mode, so I can't vouch fully for the Al either. I can, however, confidently predict that Medieval II will be the improvement we expect it to be.
Already this is to Rome what the first Medieval was to Shogun, bigger and better in every way, yet comfortingly familiar and infused with the usual Total War-ness of games gone past Superlatives beware, Korda wiill be coming for you with a vengeance. Or I will. Game on. One of Medieval Il's 'yeah, so what' features that you might have no interest in is that the tech tree is such that at some point in the game, you will have to decide whether a settlement should develop into a military fortress or a city.
Fortresses, of course, are the places to pick up the best troops and are handy to run away to. Cities, on the other hand, are your economic centres and able only to raise the most basic militia units should conflict come a-knocking. But 'ah' I retort 'you can turn a city into a fortress later if need be, or vice versa. Such redevelopment is expensive, but surely you can see the possibilities, hmmm? That's the development cycle by which the Total War series has single-handedly redefined the RTS genre over the past six years.
And now, two years after Rome rode into town like a triumphant king to batter its competitors into a powdery submissive pulp with its ground-breaking blend of strategic depth and visceral, awe-inspiring real-time action, we arrive at an evolutionary junction for the franchise. As with the last time the Total War series swapped renovation for decoration with Medieval: Total War , we once again find ourselves revisiting the religiously fanatical era where superpowers from Europe, North Africa and Asia Minor carved each other up in the name of religion in order to extend their holdings and rake in as much cash as their coffers could hold.
Aficionados of the series needn't worry though, as a multitude of other factions become unlocked once you've completed the hour campaign. Each nation proves suitably distinctive and provides a unique challenge, both in terms of unit selection and starting position.
England's island-bound holdings prove a mixed blessing with only the rampant Scottish hordes to contend with, though across the channel, the single English foothold in Europe needs to be quickly expanded upon and protected from the marauding French. If you decide to play as the French, you'll find yourself equipped with the best cavalry in the West though it's not till later in the campaign that the country we commonly associate with affordable booze, snails and mass-rioting really comes into its own, when it starts spewing out professional armies that don't just stand around grunting with dissatisfaction before trying to sleep with the wives of their fellow comrades.
At first glance, The Holy Roman Empire is the most tempting nation to start your Medieval II experience with, due to its generous land holdings - but as you'll soon realise, its realms are beset on all sides by enemies eager to take a bite out of any unprotected provinces.
Venice finds itself in a similar situation, though its meagre collection of starting states means it's perhaps the most challenging of the six. So you've chosen your faction, disconnected your phone, stocked up on cheese puffs and you're ready to go.
So what's new? Well, where do I begin? How about the revamped engine, which takes the graphical splendour of Rome and remodels its already ample assets with a plastic surgery-style makeover? Yup, that sounds like a pretty good place to start So let's get started Without doubt Medieval II is a visual feast one that'll milk your 3D card to within an inch of its life and fill your monitor with battlegrounds so detailed, you'll be reaching for a towel to wipe your enemy's blood from your forehead.
I Proving far more power-hungry than its predecessor if you want to really get the most out of it that is , your medieval troops radiate the kind of detail that Rome could only dream about after a hard night's orgy. Gothic Knights rumble across grassy plains, kicking up plumes of dust as they march, their hooves pounding thunderously against the turf and their polished platearmour suits glinting majestically as they catch the rays of the sun.
Cities steam with smoke that spews from the chimneys of each stunningly detailed building and billow smoke as enemy catapults and roaring cannons hurl balls of flame over their towering stone walls and set them ablaze. But that's just the edge of the glacier myfriends, as Rome's clone armies have been replaced by squads of fairly unique soldiers, while battlegrounds now possess far greater geographical diversity than ever before.
Terrain undulates, creating makeshift vantage points on which to plant your archers and artillery, while jagged, impassable mountains block your escape routes and make you think in new strategic dimensions. What's more, you can now line towering rock faces with missile troops who can send deadly volleys down the mountainside at their foes. Fog, rain and snow restrict your view like never before, forcing you to squint into the gloom for the slightest hint of enemy movement, while your pulse beats in your brain like an overheating jackhammer.
In the presentation stakes, Medieval Il's real-time battles are almost beyond reproach. Now you may not have seen this coming -I know I didn't - but despite their undoubted qualities, these real-time battles aren't quite the leap forward for the series that perhaps they could and should have been.
While having unique-looking troops using melee combinations rather than clone armies that simply hack at each other is an RTS wet dream, the level of differentiation isn't always all that easy to distinguish in the midst of the game's titanic blood-baths.
As a result, these skirmishes often don't look and feel all that different to Rome's unless viewed from extremely close range. What's more, the bone-crushing army impacts captured so perfectly in Rome - I particularly the cavalry charges - seem to lack a certain amount of weight and brutality here, with units often pulling up at the crucial moment of impact. Finally, the control issues that haunted Rome: Total War - Alexander once again rear their ugly heads here.
Cavalry is a particular culprit here, sometimes doing the exact opposite of what you tell them to and generally galloping their way into situations that threaten the very outcome of your carefully laid battle plans while you scream at your monitor and your neighbours call the police.
Don't get me wrong, Medieval Il's battles are superb, visceral, brutal and so thrilling your heart will fracture your ribcage. They're also further embellished by the return of hostage-taking and the reprisal of Barbarian Invasion's visually spectacular night-time encounters. However, they never really feel all that different to Rome's conflicts and fail to quite live up to expectations due to an assortment of niggles that chip away at you like a woodpecker that's been surgically implanted into your skull.
Why, for example, can you no longer place your formations anywhere within a city or castle when defending it? Why do siege battles, despite their pyrotechnic splendour, still often boil down to just knocking a hole in a wall and charging through it?
These problems are by no means terminal and in no way prevent Medieval II from being a sublime piece of programming, but they're enough to irk you and make you realise that in terms of the real-time battles, perhaps Medieval II isn't the hugely impressive leap forward from Rome that we were all hoping for.
Thankfully, the same can't be said for the turn-based strategic map, which trounces all of its predecessors with its sheer level of detail and breathtaking array of options, despite the odd balancing issue. Coupled with innumerable tweaks and improvements, its this part of the game that makes Medieval II stand apart from its predecessors like a giant at an under-tens basketball club. Regions burst at the borders with geographical features, while armies, agents, merchants, priests and princesses meander between settlements on a variety of diplomatic, military and clandestine missions.
The sheer magnitude of options available to you between each titanic real-time encounter is stupefying, urging you to tinker with every facet of your empire from population control to your relationship with the Pope. Reality quickly melts away as you navigate the map, tending to the minutiae of your rule with the superbly streamlined and intuitive interface, and guided by the excellent advisors which prevent you from ever having to trawl through the hefty manual to learn how a certain game mechanic works.
You'll spend hours agonising over how to best balance your economic and military budgets, while brokering deals with rival factions and forging alliances that'll best serve your nations interests. Perhaps the strategic map's biggest overhaul is the way that settlements work. Oh no my compadres, those days are gone. You now have the option of constructing either castles or cities, both of which carry their own unique set of advantages and disadvantages. Cities are the economic and cultural centres of your empire, allowing you to build roads and markets, and tax your populace as you see fit However, despite being encircled by stout walls, their defensive capabilities are limited, a problem that's compounded by the meagre selection of units that you can train within their walls.
Castles are, as youd expect the exact opposite. While these fortresses may be militarily mighty and provide a cornucopia of options when it comes to constructing armies and defensive structures including multiple layers of defence later on in the game , theyre about as economically viable as a pissed-up tramp asking for a loan while knocking back his fourteenth can of Special Brew of the morning. Another new feature is the emergence of guilds.
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